OUr story
Mixing 900 years of history with dance, art, music and celebration, this breath-taking venue gives the sense of being an ethereal abandoned church, with all the warmth and delight of a beautifully modern creative space, right in the heart of Bristol.
Sympathetically rebuilt following extensive fire damage, The Mount Without continues to be a gathering space. The Main Hall and The Crypt offer the perfect setting for a variety of performances and events.
The Mount Without events is solely dedicated to curating Private & Public Events, from art exhibitions, concerts, private soiree’s, weddings, music gigs, holistic and immersive experiences and IMPERMANENCE create a place for dance in Bristol, with a programme of cutting-edge productions, alongside training and rehearsal space for dancers…
The Mount Without is a shared home between resident dance company IMPERMANENCE & The Mount Without events.
All under one stunning roof.
A historic multifunctional venue tailoring to a various portfolio of beautiful events
resident company impermanence deliver A year round dance programme
Upcoming events
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Sunday Sound Bath with Annette & Rounik
MARCH 30th, 11:00 - 12:30
Come and join Annette and Rounik for a deeply relaxing and reflective Mothering Sunday Daytime Sound Bath in our breath-taking, mystical Bristol venue.
Sound healing is a wonderfully restorative and relaxing experience, nourishing us on so many levels. It can also be the catalyst for timely change, shifts and further awakening.
Annette and Rounik weave high vibrations into a heart-felt space using ancient, healing instruments such as chakra singing bowls, gongs, monochords, special chimes, Light Language vocals and other sacred sounds.
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CRASHOUT
4th - 6th March, 7.30pm
CRASHOUT is a new site-specific solo work by Marikiscrycrycry that takes in Impermanence’s new home for dance in Bristol.
Continuing a legacy of the choreographer’s investigation into dark fantasy, horror, and the choreographic form, CRASHOUT unfolds a tapestry of symbols, aesthetics, and subaltern narratives that directly engage with the ancient iconography of the Ouruoboros (the snake that eats its own tail), the seminal experimental metal album Uroboros by Japanese avant-metal band Dir en Grey, and the interrogation of biographical tension, affect generation, rage and regret.
